&lt;img src=&quot;http://clatl.com/imager/b/toc/4109912/0c2d/1318441741-sitting_guitar_2.jpg&quot; width=&quot;75&quot; height=&quot;50&quot; /&gt;
        &lt;p&gt;This week&rsquo;s &lt;em&gt;CL&lt;/em&gt;&#039;s cover story, &lt;a href=&quot;http://clatl.com/atlanta/atlantas-dust-to-digital-records-unearths-the-origins-of-blues-legend-john-fahey/Content?oid=4110132&quot;&gt;&quot;Soul Searchers,&quot;&lt;/a&gt; traces Atlanta-based archival label &lt;a href=&quot;http://www.dust-digital.com&quot;&gt;Dust-to-Digital Records&lt;/a&gt;&#039; journey from its beginnings to it&#039;s latest offering, &lt;i&gt;Your Past Comes Back to Haunt You&lt;/i&gt;, a five-disc collection that unearths folk-blues innovator John Fahey&#039;s earliest recordings. &lt;/p&gt;
&lt;p&gt;Co-producer and former Cul de Sac guitarist &lt;a href=&quot;http://www.facebook.com/profile.php?id=600090971&quot;&gt;Glenn Jones&lt;/a&gt; took some time out from touring behind his latest solo album, &lt;i&gt;The Wanting&lt;/i&gt; (Thrill Jockey), to talk about his 25-year friendship with Fahey, and the making of this monumental release.&hellip;
            &lt;p&gt;[ &lt;a href=&quot;http://clatl.com/cribnotes/archives/2011/10/13/former-cul-de-sac-guitarist-glenn-jones-talks-about-the-good-the-bad-and-the-ugly-parts-of-john-faheys-legacy&quot;&gt;Read more&lt;/a&gt; ]&lt;/p&gt;
        &lt;p&gt;[ &lt;a href=&quot;http://clatl.com/atlanta/Rss.xml?oid=4109911&amp;amp;id=comments&quot;&gt;Subscribe to the comments on this story&lt;/a&gt; ]&lt;/p&gt;&lt;img src=&quot;http://feeds.feedburner.com/~r/clatl/music/~4/Ogp-Jpk87Ao&quot; height=&quot;1&quot; width=&quot;1&quot;/&gt;