&lt;img src=&quot;http://clatl.com/imager/b/toc/2051461/41d2/1283284111-running-dialogue-15.jpg&quot; width=&quot;75&quot; height=&quot;45&quot; /&gt;
        &lt;p&gt;&lt;/p&gt;
&lt;p&gt;On the latest installment of &lt;a href=&quot;http://clatl.com/runningdialogue&quot;&gt;Running Dialogue: A Podcast About Movies&lt;/a&gt;, &lt;a href=&quot;http://slashfilm.com&quot;&gt;/Film&#039;s Russ Fischer&lt;/a&gt;, &lt;a href=&quot;http://collider.com&quot;&gt;Collider&#039;s Matt Goldberg&lt;/a&gt; and &lt;em&gt;Creative Loafing&#039;s&lt;/em&gt; Curt Holman mark the transition from the summer to fall movie seasons with the fast, schlocky violence of &#039;Centurion&#039; and &#039;Machete&#039; vs. the meditative, existential violence of George Clooney&#039;s &#039;The American.&#039; &#039;Machete&#039; not only inspires a discussion of the best and worst trends of 2010 cinema so far, but prompts the guys to name some of the favorite revenge flicks.&hellip;
            &lt;p&gt;[ &lt;a href=&quot;http://clatl.com/screengrab/archives/2010/09/01/running-dialogue-episode-15-centurion-machete-the-american&quot;&gt;Read more&lt;/a&gt; ]&lt;/p&gt;
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