
        
        &lt;img src=&quot;http://clatl.com/imager/b/toc/3846752/42a0/music_feature1-1_16T.jpg&quot; width=&quot;75&quot; height=&quot;40&quot; /&gt;
        Electro&#039;s mainstream takeover just an appetizer for more
            by Mosi Reeves
            The IDentity Festival couldn&#039;t have happened five years ago, not when techno was popularly understood as the inscrutably minimalist machine-music favored by pretentious urban elitists; house music as the obnoxiously gauche four-to-the-floor bleats played at Guido-filled meat markets; and drum &#039;n&#039; bass as the anarchically percussive soundtrack for Ecstasy-numbed teenage candy ravers. The electronic music diaspora was fragmented by a bewildering number of micro-genres, each attended to by a small yet fervent number of fanatics saddled with a unique set of cultural stereotypes.&hellip;
              &lt;p&gt;[ &lt;a href=&quot;http://clatl.com/atlanta/identity-fest-digs-deeper-than-guidos-and-candy-ravers/Content?oid=3846750&quot;&gt;Read more&lt;/a&gt; ]&lt;/p&gt;
        &lt;p&gt;[ &lt;a href=&quot;http://clatl.com/atlanta/Rss.xml?oid=3846750&amp;amp;id=comments&quot;&gt;Subscribe to the comments on this story&lt;/a&gt; ]&lt;/p&gt;
      