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        Beautiful people can&#039;t save the latest lemon off the Luc Besson assembly line.
            by Anthony Salveggi
            Over the years, Luc Besson has been consistent in the application of his depraved aesthetic. His brand of low-grade Eurotrash pulp Â– previously seen in The Professional, the Transporter series, Kiss of the Dragon and now Colombiana, which he co-scripted, plays out like a perverted, mutant form of noir as interpreted by a dumbass.&hellip;
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